Digital Synthesis
Dr Charles Martin
Semester 1, 2022
Digital Synthesis for Computer Systems
What do all these synth words mean?
Sounds?
How do we make interesting sounds with the microbits?
Digital Synthesis Approaches
- Additive synthesis
- Subtractive synthesis
- FM (frequency modulation) synthesis
- Envelopes and ADSR
- Drums: noise and non-pitched sounds
- Wavetable synthesis
What’s digital sound?
Digital Sound
What’s an Oscillator?
- A module (physical or code) that outputs a waveform.
- In synth lingo, sometimes a VCO (voltage controlled oscillator).
Additive Synthesis
- Take multiple oscillators and add them together!
- Some people are trying this in Assignments 1 & 2
- Need lots of oscillators to make complex sound.
Subtractive Synthesis
FM synthesis
- “frequency modulation”
- Use one oscillator to control the frequency of another.
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Cool sounds with few oscillators (see Yamaha DX7)
talk
So far we’ve made “sounds”, but we want to make “notes”.
How can we do that?
Amplitude Envelope
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Amplitude is the “volume” of our note.
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Envelope is the chunk of time for our note to exist in.
- We can change the amplitude over the envelope to give a note a sonic “shape”.
- In synth lingo, an EG (envelope generator) makes envelopes.
ADSR Envelope
- The adsr shape is often used for pitched sounds.
- ADSR: attack, decay, sustain, release
Drums and Percussion
- Are drums all “non-pitched” sounds?
- Start with noise, or combine inharmonic frequencies.
- Percussion envelope? Short attack, no sustain, moderate to long release.
Wavetable Synthesis